Schinkel was born in Neuruppin, Margraviate of Brandenburg. When he was six, his father died in the disastrous Neuruppin fire of 1787. He became a student of architect Friedrich Gilly (1772–1800) (the two became close friends) and his father, David Gilly, in Berlin. After returning to Berlin from his first trip to Italy in 1805, he started to earn his living as a painter. Working for the stage he created in 1816 a star-spangled backdrop for the appearance of the "Königin der Nacht" in Wolfgang Amadeus Mozarts opera The Magic Flute, which is even quoted in modern productions of this perennial piece. When he saw Caspar David Friedrichs painting Wanderer above the Sea of Fog at the 1810 Berlin art exhibition he decided that he would never reach such mastery of painting and turned to architecture. After Napoleons defeat, Schinkel oversaw the Prussian Building Commission. In this position, he was not only responsible for reshaping the still relatively unspectacular city of Berlin into a representative capital for Prussia, but also oversaw projects in the expanded Prussian territories from the Rhineland in the west to Königsberg in the east, such as New Altstadt Church.
Schinkel was born in Neuruppin, Margraviate of Brandenburg. When he was six, his father died in the disastrous Neuruppin fire of 1787. He became a student of architect Friedrich Gilly (1772–1800) (the two became close friends) and his father, David Gilly, in Berlin. After returning to Berlin from his first trip to Italy in 1805, he started to earn his living as a painter. Working for the stage he created in 1816 a star-spangled backdrop for the appearance of the "Königin der Nacht" in Wolfgang Amadeus Mozarts opera The Magic Flute, which is even quoted in modern productions of this perennial piece. When he saw Caspar David Friedrichs painting Wanderer above the Sea of Fog at the 1810 Berlin art exhibition he decided that he would never reach such mastery of painting and turned to architecture. After Napoleons defeat, Schinkel oversaw the Prussian Building Commission. In this position, he was not only responsible for reshaping the still relatively unspectacular city of Berlin into a representative capital for Prussia, but also oversaw projects in the expanded Prussian territories from the Rhineland in the west to Königsberg in the east, such as New Altstadt Church.